In this course
we will examine the graphic novel through a literary focus. We will utilize
literary theory and comics studies theory in an attempt unpack the many ways in
which this mostly modern form of literature adapts, rewrites, and appropriates
myths and legends. How has the graphic novel reshaped what we consider
literature? Why does this specific medium (comics and graphic novels) resonate
throughout so much of our modern popular culture? Why is it that so many of
these graphic novels are based on myths and legends from cultures throughout
the world? As cultural artifacts, what are the consequences or ramifications of
production for a mass culture audience?
Course Requirements
– Regular attendance and participation
– Two five-page papers
– Six one-page
reaction papers
– In-class oral
presentation
– Final Exam –
Take home essay
Reading List –
Books will be available at Revolution Books
(This is a
working list and will surely be revised)
Scott McCloud, Understanding
Comics
Stan Sakai, Usagi
Yojimbo, Vol. 12, Grasscutter
Gene Luen Yang, American
Born Chinese
Bill Willingham,
Fables Volume 1: Legends in Exile
Neil Gaiman, Sandman
Volume 1: Preludes and Nocturns
Christopher
Carvalho, ʻAumakua
Mike Mignola,
Hellboy: The Chained Coffin and Others
Various other
readings will be posted on Laulima or distributed in class.